Jay Canter is the creative force driving the strictly conscious, roots fusion reggae band Streetlevel Uprising. Currently releasing a single every month, Streetlevel’s recent output is rich with the social commentary, uplifting affirmations, lively melodies, and fiery grooves that have always defined this band.

On record or stage, you notice the horns and vocal harmonies instantly. “Coming off our first couple albums, horns really lifted us to a new level,” Jay says, “and Bill, Zate, and I just have this rare vocal chemistry.” Jay’s presence – dreads dragging the ground, urgent vocals, and his vibrant and emotive lyrics – lend him a passionate charm. His message, whether sharply critical or warmly compassionate, is one of togetherness, inviting everyone into his songs through his non-dogmatic approach to social change. “We offer a humanitarian message and support for the underdogs out there. Human rights, social equality, protection of the environment, and so on. It’s not about this party or that party. We’re a conscious band. We’re not a political band.”

After winning back-to-back titles as best original band in the musical hotbed of Lawrence, Kansas, Jay relocated to Southwest Florida and set up Studio Streetlevel, while bass player Bill set up his own home studio back in Lawrence. In the middle of their most creative burst yet, the songs are flowing with Streetlevel’s trademark blend of modern and vintage roots-based vibes. “It gives us two homebases to create, so we can still involve everyone in the process, and to make sure the work is always getting done,” Jay says. 

“It also gives us two homebases for touring those regions. Our members are spread across the country, and due to family considerations, shows have become more of a rotating cast of characters,” he says with a laugh. “When I go back to the Midwest, I get to feel Nate’s drums behind me, and hear Joaquin’s keyboard and Greg’s sax. When Bill comes down to Florida, we get to vibe onstage with Cesar, who we’ve known since high school and played keys with us in a previous band.”

But doesn’t having a lineup in constant flux make everything harder? “Maybe, but the odds have always been against this band, so we’ll just have to beat them. And the alternative would be to not tour, and that’s not an option. We roll with whoever is able, in whatever configuration necessary. Because as much as we love creating, we’ve always lived for the shows.” 

That enthusiasm is apparent, with “energy” being the word most often associated with their incendiary live performances. Jay dances and jumps around, massive web of locks flying. Bill roams his side of the stage, and The Bongo Bastard is a conga-pounding madman. Time and again, they prove that the message is only part of this band’s identity. “We do try to raise awareness of certain issues. But we love music, we love entertaining, and we love making people happy.”